Raymond Berry: 2025

Essentials

For more than forty years, my landscape painting has investigated the concept of change and the themes of assertion and recovery of the landscape. Since the late seventies, almost all my work has some concern with water, either moving or still. My labors have always been disciplined by a direct approach with the observed landscape, painting without influence of photographs or even preliminary sketches. Over the years I have stretched the boundaries of size and scale in my work, sometimes working in small, conventional sizes to large and imposing canvases that are many feet in length. In the last four or five years, I have developed a much simpler approach to my working methods; working in small scale and then a larger dimension on panels that have very pleasant relationships of height to width: hollow doors.

Direct observation/participation serves my love of the physical in painting and my lifelong study of the land as realization: a direct experience of our true nature.

Backstory

Born December 3, 1946, Oakland, California

University of North Carolina 1975 M.F.A. Painting and Drawing

at Greensboro: studied under Peter Agostini, Ben Berns and Andrew Martin

University of Virginia 1971 B.A. Studio Art

Served as Chair of the Department of Arts, Randolph-Macon College from 1990-2005.

Virginia Center for the Creative Arts Fellow in 2003.

Recent exhibitions:

Fall 2010: The Faculty Exhibition, Randolph-Macon College
September of 2008: One-man show of recent landscapes at Main Art Gallery, Richmond.

“The Art of Teaching” White Canvas Gallery, Richmond, Virginia 2006

“Hand to Hand, Part II” (students of Peter Agostini and Andrew Martin), Green Hill Center for the Arts, Greensboro, North Carolina 2003-4

“Mapping a Common Wealth, Contemporary Artists in Virginia” Page Bond Gallery, Richmond, Virginia 2002

"The Virginia Landscape, a Cultural History" Virginia Historical Society, Richmond, Virginia 2000

Selected Public Collections:

Duke University

Randolph-Macon College

Burlington Industries

Jefferson Pilot Corporation

Hal McCoy Industries

Pella Window Corporation

Bank of America

Capitol One

Weaver Collection of UNC-Greensboro Artists

Raymond Berry

Articles and Interviews

Sunday, April 6, 2025

Luck's, Wind and Gray Skies, April 6, 2025, Gouache on Panel, 6" x 12"

Monday, March 31, 2025

Shrubbery Hill, The Last Blooms of March, 30-31, 2025, Oil on Canvas, 10" x 20"

Saturday, March 29, 2025

Luck's Farm, Last Blooms, March 29, 2025, Oil on Panel, 9" x 12"

Luck's Farm, Distant Blooms, March 28, 2025, Oil on Panel, 6" x 12"

Saturday, March 22, 2025

Luck's Farm, New Blooms, March 21-22, 2025, Oil on Panel, 6" x 12"

Wednesday, March 19, 2025

Shrubbery Hill, New Blossoms, March 18, 2025, Oil on Panel, 6" x 12"

Friday, February 21, 2025

Shrubbery Hill, Early Morning Light, February 21, 2025, Oil on Panel, 6" x 12"

Thursday, February 20, 2025

Luck's Farm, Early Morning Snow, February 19, 2025, Oil on Panel, 6" x 12"

Sunday, January 12, 2025

Shrubbery Hill, Melting Snow, January 12, 2025, Oil on Panel, 9" x 12"

Saturday, January 11, 2025

Shrubbery Hill, Janurary 11, 2025, New Snow, Oil on Panel, 11" x 14"

Saturday, January 4, 2025

Sugar Hollow, Stones and Reflections, January 4, 2025, Oil on Panel, 9" x 12"

Wednesday, January 1, 2025

Luck's Farm, December 31, Last Painting of 2024,, Oil on Panel, 6" x 12"